BUSCALAN, Philippines — She wakes up every morning at dawn and mixes an ink out of pine soot and water. She threads a thorn from a bitter citrus tree into a reed, crouches on a three-inch-high stool and, folded up like a cricket, hand-taps tattoos onto the backs, wrists and chests of people who come to see her from as far away
as Mexico and Slovenia.
For Cyril Phan, the French graffiti artist known professionally as Kongo, a recent project posed a less predictable obstacle than, say, staying dry while painting on the side of a building in the rain.
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has a very happy ending.